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La Dante is the official newsletter of the society. Its purpose is to inform and serve its members and the community. In addition to  information about the many events and programs at the Dante, in it you'll find (in English and Italian) current news from Italy, articles of cultural interest on Italian history, literature, and language as well as on the Italian American experience as exemplified by Italian Americans from all fields of endeavor.  It is edited by Anna Quadri and Giacomo Rapa and published four times a year: mid-September (Fall issue), mid-December (Winter issue),  mid-March  (Spring Issue),  end-May (Summer issue). We welcome articles for publication, or comments and suggestions by writing to:
Dante Alighieri Society ATTN: Editor, La Dante 41 Hampshire Street Cambridge, MA 02139
E-mail Dante Alighieri Society

Below you can read articles in the current issue and from our archives:

Current issue of La Dante:   (You will need Acrobat reader)


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From Our Archives:

The Dante Awards Scholarships for Study of Italian
Applications can be downloaded from the Dante website and you must submit it no later than April 1 of the year for which the scholarship is awarded.
The purpose of the award is to encourage students to continue the study of Italian or to pursue Italian American Studies beyond the High School years. While many, to their credit, submit applications for having studied up to five years Italian in High School, they sadly do not qualify unless they plan on extending their study in college.

Governor Cellucci Signs Legislation - Italian American Heritage Month
Una Storia Segreta - Internment of Italian Americans during WWII
Our Italian American Heritage - An overview of many contributions by Italian Americans in the USA.

Only listing of Italian and Italian American winners of the following:

Governor Argeo Paul Cellucci, joined by members of the legislature and a large and enthusiastic audience of supporters and well wishers, signed an historic bill declaring the month of October as "Italian-American Heritage Month." The Governor appeared before more than 600 people at a dinner gathering of the Justinian Law Society of Massachusetts at Caruso’s Diplomat where he was honored as the "Justinian of the Year." In signing the bill, Governor Cellucci declared that this was an important milestone in the history of the Italian American community in Massachusetts and an appropriate way in which to honor the contributions of Italian-Americans to our Commonwealth and our nation.
     Several members of the legislature were instrumental in securing passage of the bill including Assistant House Majority Whip, Representative Sal Di Masi, Chairman of the House Committee on Bills in Third Reading, Robert DeLeo, and the Vice-Chairman of the Senate Ways and Means Committee Robert Travaglini. The bill declares that: "The governor shall annually issue a proclamation setting apart the month of October as Italian-American Heritage Month, in recognition of the significant contributions Italian-Americans have made to the Commonwealth and to the United States and recommending that said month be observed in an appropriate manner by the people. After consultation with Italian-American groups, the governor may include in the proclamation such contributions as he shall see fit." The legislation was supported by more than 40 Italian-American organizations in Massachusetts who came together to form a coalition known as "The Committee to Declare October as Italian Heritage Month" chaired by the Honorable Joseph Ferrino (ret.). This was truly a collaborative effort of many organizations and individuals devoted to promoting a greater understanding and appreciation for the contributions made by Italians and Italian-Americans to the United States and to western civilization in general.
     The goal is to educate the public, especially school age children, about these important contributions by means of events, educational and cultural programs that are scheduled to take place throughout the Commonwealth of Massachusetts in October. The Committee’s goal is to utilize a variety of methods such as essay contests for students, exhibits, performances, and the publication of biographical literature about notable Italians and Italian-Americans, especially persons who lived during the twentieth century.
     Plans are already being made for next years events. Participation is open to any person or organization which shares the goal of promoting awareness of and respect for the contributions made by Italians and Italian-Americans throughout history.

UNA STORIA SEGRETA:
Wartime Violations of Italian American Civil Liberties Act Becomes Law on Nov 7, 2000
By Francesco Castellano.

October 19, 2000, the United States Senate passed the Wartime Violation of Italian American Civil Liberties Act and President Cinton signed it into law on November 7, 2000. The bill concerns the WWII restrictions, evacuations and internments of Italian Americans which is the subject of the exhibit, Una Storia Segreta, sponsored by the Western Chapter of the American Italian Historical Association. The exhibit, which was on display at the Dante Alighieri Society in Cambridge during October, has been the prime instigator of the movement to make these events better known, and to promote this legislation.
     The bill provides for the preparation of a Government report detailing injustices suffered by Italian Americans during World War II, and a formal acknowledgment by the President that these events during World War II represented a fundamental injustice against Italian Americans. It further requires that Government agencies should support projects such as conferences, seminars, lectures, and documentaries to allow this issue to be presented to the American public to raise its awareness.
     Great credit is due to John Calvelli, who wrote the legislation when he was in Congressman Engel's office. He most recently brokered the deal that allowed the bill to pass by unanimous consent. Credit is also due to Tony La Piana, of Chicago, who managed to persuade the leaders of both judiciary committees--Henry Hyde in the House, and Orrin Hatch in the Senate--to support the Italian American bill.
     Senator Robert Torricelli, of New Jersey, introduced the bill in the senate; Rick Lazio of New York introduced the bill in the house. Credit is due them, as well as Sam Fumosa, President OSIA, New Jersey, who worked with Senator Torricelli. Many others, including organizations large and small, supported this effort and are due thanks as well.
Based in large part from information received from Larry DiStasi, Project Director "Una Storia Segreta." 

Our Italian American Heritage
A history to be proud of

    The oft repeated anecdote about the poor Italian immigrant who came to America because the streets were paved with gold, apocryphal or not, remains a pithy comment on the reality that awaited many of the immigrants who came at the end of the 19th and the beginning of the 20th centuries. The story has the surprised immigrant say: "When I got here, I found out three things: first, the streets weren't paved with gold; second, they weren't paved at all; and third, I was expected to pave them."
     And pave they did. They build railroads, tunnels under harbors, highways, and subway systems, extracted coals from mines, worked in factories almost always in the most primitive of conditions and against all odds and obstacles - a new language and culture, prejudice in the forms of ethnic slurs and negative stereotypes, even violence directed against them. Other than the more famous case of the largest lynching in U.S. history where eleven Italian Americans were lynched in New Orleans on March 14, 1891, by a mob of upwards of twenty thousand people, many other Italian immigrants were lynched in many states across the South and Midwest. The environment in which the immigrants found themselves is best described by Giuseppe Prezzolini in his novel I Trapiantati (The Uprooted). "…the Italian immigrant who did not become a criminal, or go mad, was a saint."
     Eventually they overcame many of the obstacles that came their way. In the mid 1800’s there were barely 3,500. In 1910 there were over 130,000. Ultimately over 5.4 million Italians immigrated to the United States between 1820 and 1991, making many positive contributions to the history of the United States. Now there are about 26 million Americans of Italian descent making them the fifth largest ethnic group. They have contributed in large measure in building this nation both physically and spiritually. They have achieved greatness in many fields of endeavor, but that does not diminish the many sacrifices that the anonymous mass of immigrants made. Many of these facts are still not known by the majority of the population including those Americans of Italian descent. In fact the population at large still seems to have a stereotypical view of Italian Americans as evinced by the movies and television.
     Governor Mario Cuomo has been quoted as saying: "I have always been intensely proud that I am the son of Italian immigrants and that my Italian heritage helped make me the man I am." This is by no means a compendium, but only an attempt at highlighting some of the contributions made by those that came before us and those that are still working among us.

Exploration
Giovanni Schiavo, the author and historian who was the first to begin compiling the history of Italian in America notes that there were "Six men who made America." John Cabot, Giovanni Verrazzano, Marco da Nizza, Enrico Tonti, Father Chino, and Francis Vigo. It is an historical fact that Giovanni Caboto made possible the English settlements in Virginia and New England, and Giovanni Verrazzano made possible the French Empire in North America. Later Enrico Tonti, though La Salle, the leader of the expedition had died, would add to the French acquisitions by being the first to sail down the Mississippi and claim the lands for the French King.
Marco da Nizza, usually identified as Marcos De Niza, was the discoverer of Arizona. H sent the Spanish Coronado to find riches, but found only open territory which as to become state of Kansas, thus opening the Midwest and West to the world as early as 1540.  Father Chino was the founder of the truck farming and cattle industry in California. His statue can be seen in Statuary Hall in the Capitol as a representative form Arizona.
     Though he did not serve in any official capacity, Francesco Vigo, in addition to his military exploits, he helped finance the part of the war against the British by giving his entire fortune, at the time, of over $8,000 to Colonel George Rogers Clark, brother of Lewis Clark. In 1836 congress repaid his descendents in full and with interest.

Government and Politics

    We must all know that two men of Italian descent signed the Declaration of Independence: William Paca of Maryland and Caesar Rodney of Delaware. In 1900 Andrew Longino was elected Governor of Mississippi.
     Filippo Mazzei was a friend to Jefferson and a not insignificant influence on his political and philosophical thinking. Mazzei’s original writings stated that: "All men are by nature equally free and independent. Such quality is necessary to in order to create a free government…"
     There was a number of Italians who fought during American Revolution some were officers. Their participation is not singled out because they fought under the French flag. Also during Civil War there were Italians both in the ranks and in the Officer Corps to include three generals. Some fought on the Confederate side.
     There were also Italians serving as chaplains during that conflict. One cleric, Agostino D’Asti from Piedmont, pastor of a church in Houston , Texas was a chaplain in the Confederate Army. When he died his parishioners would not permit that his remains be sent back to New York. His tomb is in Texas where it is honored annually.
     Linclon like Jefferson was an Italianophile. This may not be the reason, but his private physician at the White House was one Dottor Tullio Verdi. Lincoln went so far as to have his Secretary of Sate William H. Stanton contact Garibaldi on the Island of Caprera to offer him the rank of Major General in the Union Army. Garibaldi was honored but refused saying that he still had the daunting task of reuniting Italy.
     Early in this century we have two Italian Americans whose reputation went beyond their local districts or states. They are Fiorello La Guardia, who was both a Mayor of New York and a Congressman, and Congressman Vito Marcantonio, though much maligned as a socialist, he did much for the working man.
     The Labor movement saw their champions in American born Joseph Ettor, Arturo Giovannitti, a writer and a poet from near Campobasso, and Carlo Tresca from Sulmona, a labor organizer and journalist.
     During the Kennedy years Anthony Celebrezze became the first Italian American to be a member of the Cabinet. Later we had Joseph Califano under Johnson and Carlucci as Secretary of Defense under Reagan. We have had many more congressmen and several senators, but it is important to mention Geraldine Ferraro, the first Italian American to be on the ticket of a presidential election, and Mario Cuomo, who almost was a presidential contender. A major first for the Italian Americans was the appointment of Antonin Scalia to the Supreme Court in 1982. Judge Guido Calabresi, former Dean of Yale Law School was named to the U.S. Court of Appeals by President Clinton in 1994. And in the field of law we must remember that during the Watergate years it was Judge John J. Sirica, who was named man of the Year in 1973 for "Standing Firm for the Primacy of Law."
     Here in Boston we are proud to have two descendents of Italians serving as Governor and Mayor. Governor Argeo Paul Cellucci and Mayor Thomas Menino. Cellucci is the third Italian American governor after Foster Furcolo and John Volpe. Mayor Menino holds the distinction of being Boston’s first Italian American Mayor.

Business

    The very first record of trade between what was known as Italy and the Massachusetts colony was in 1640. In 1649 the families of Robert Child and Henry Saltonstall settled in New England. They were not graduates of Harvard, of course, it was too early for that, but both had degrees from the University of Padova.
     It bears repeating Amadeo Giannini’s founding of the Bank of America in San Francisco. In addition he financed the early movie industry in Hollywood which could not have flourished without Giannini’s financing. Other examples are Amedeo Obici who founded the most American of snacks, Planters Peanuts.
     Marco Fontana in the mid 1800’s founded the California Fruit Packing Company. The Genoese Antonio Cerruti started a canning company under the name Marca del Monte (Brand of the Mountain), later shortened to Del Monte.
     Jeno Paolucci started a Chinese food business which would later take over the entire market as Chun King and he would sell in 1963 for $63 million. Explaining his success in an interview he stated that: "…when I was a kid and a member of a real minority called a ‘dago’ and a ‘wop’, I felt disadvantaged…I can’t think of a better way to pay America back." Lee Iacocca brought Chrysler Motors back to life as its President. In the early seventies Ralph D. Nunzio at the age of 39 became Chairman of the New York Stock Exchange. Today we have another Italian American at the helm in Richard Grasso.
     Two names that have become part of the American lexicon are Jacuzzi, the whirlpool bath tub and Zamboni the machine that resurfaces the ice during hockey games and ice shows. Originally the Jacuzzi (pronounced Yacutsi) brothers emigrated to California and made strides in aviation by inventing the first enclosed cabin, high-wing monoplane, which carried mail for the U.S. postal service as well as passengers. Later made great advancements in the agricultural pump industry, still their main business. In 1968 Roy Jacuzzi invented and marketed the first self-contained, fully integrated whirlpool bath. Frank Zamboni from California, originally from Arsio in the Southern Tyrol region of Northern Italy, started with the first ice rink in the area before inventing the "ice resurfacing machine". There is even a Zamboni Song.
     The computer industry is full of successful Italian Americans. Dan Stanzione is President of Bell Labs, the premier scientific research laboratory for the telecommunication industry (Antonio Meucci, the putative inventor of the telephone, would find irony in this). Patricia Russo is an executive vice president there. Carly Fiorina recently left Lucent Technology to become President and CEO of Hewlett-Packard. One of her earlier jobs was teaching English in Italy. Mario Mazzola, from Milan, is a senior VP at Cisco, a company that furnishes 80% of the communications hardware to the internet. Guerino De Luca has been since 1968 at Logitech, maker of mouses for computers, and is now developing a wireless mouse. Locally, Gary T. Di Camillo is Chairman of Polaroid Corporation. Recently Robert Madonna, of Hyannis, sold his company Excel to Lucent Technologies for $1.4 billion.

Education

    The Italian Jesuits did much to spur education in the early days of the republic. Bishop Giuseppe Rosati of Naples founded St. Louis University in 1827. St. Bonaventure University was founded by Fr. Panfilo da Magliano, from Abruzzi. Four years later Fr. Diomede Falconio, another Abruzzese, became president of St. Bonaventure at age 26. Later he was made Cardinal and his picture, painted by the celebrated Thomas Eakins, hangs in the National Art Museum in Washington. Although Bishop John Carroll was the founder of Georgetown, it was under President Fr. Giovanni Grassi from Bergamo that the university was revived and it was under his aegis that it became Gerogetown University by Act of Congress. The next five presidents were all Italian, among them Fr. Leo Saracena from Calabria.
     In the west there were other three famous institutions founded by Italians: Santa Clara University founded by Fr. Joseph Nobili in 1851; Fr. Antonio Maraschi, from Piedmont, founded St. Ignatius College, now renamed the University of San Francisco; and Fr. Joseph Cataldo who founded Gonzaga University.
     The first to teach Italian in a University in the new colonies was not Lorenzo Da Ponte but a Carlo Bellini at the College of William and Mary in 1779. Incidentally he had joined Mazzei and others in forming a company of soldiers during the Revolutionary War. It was not until the 19th century that Italian came to be taught as a full fledged literary subject at Columbia and at Harvard. At the latter it was Geroge Ticknor who set the stage for the teaching of Italian. He appointed a Pietro Bachi, from Palermo to head the Italian Department. Bachi’s students were: Oliver Wendell Holmes, Henry David Thoreau, Edward Everett Hale, James Russel Lowell, and Henry Wadsworth Longfellow.
     In Massachusetts we had tow men who became presidents of two outstanding Catholic Universities – Fr. Anthony Ciampi was president of Holy Cross in Worcester for three terms beginning in 1843, and at Boston College there was Fr. Nicholas Russo who was also the author of the Summa Philosophica a treatise on moral philosophy. Also in Boston, a Fr. Finotti, a Jesuit, was a prominent editor of the catholic paper The Pilot.
     In our century Dr. Peter Sammartino, one of the early sponsors of the National Italian American Foundation, formed Farleigh Dickinson University.

Music

    Filippo Traetta, a Venetian founded the first "American Conservatorio" in Philadelphia. He went on to compose several works along with texts on "Rudiments of the Art of Singing", and "Solfeggio Americano". He composed The Venetian Maskers, which was the first opera composed in America.
     Spurred by Lorenzo Da Ponte (Mozart’s librettist), New Yorkers built an Opera House in 1833. "It was decorated by some of the most skillful Italian artists of the day." There was even an opera house in Texarcana, Texas founded by Antonio Ghio. In 1904 Giovanni Merola founded the Santa Fe Opera.
     Locally, it is not well known that the first conductor of Boston’s Handel and Haydn Society in 1815, the oldest continuous musical organization in the USA, was an Italian named Louis Astinelli. Giuseppe Campanari (1855-1927), a baritone who had lost his voice and became a cellist for La Scala; later in 1884 he played for the Boston Symphony before returning to singing in 1893.
     Alfredo Casella (1883-1947), noted composer, was conductor of the Boston Pops for two years preceding Arthur Fiedler in the 1920’s. Walter Piston (Pistone), the dean of American composers, influenced many of his students, among them Leonard Bernstein.
     Today we have Janice Mancini Del Sesto, General Director of The Boston Lyric Opera.
Robert Bonfiglio is a virtuoso on the harmonica.  will play a world premiere of a Villa-Lobos concerto with the Pro Arte Orchestra. Early next year,  Michael Gandolfi is a local composer who has had one of his works receive a world premiere with the Pro Arte Chamber Orchestra. The  Managing Director of the Boston Symphony Orchestra is Mark Volpe, formerly with the Detroit Symphony. Another Volpe (no relation) is Joseph Volpe, General Manager of the Metropolitan Opera in New York.
     In the world of jazz it is acknowledged but not well publicized that the Italians of New Orleans developed the Dixieland style, and Nick La Rocca made the first jazz recording. His descendants still play in a band made up entirely of their family members. Other names are hidden in the anglicized forms. Jazz guitarist Eddie Lang is actually Salvatore Massaro from Molise. Harry Warren, one of the most prolific American song writers, is Salvatore Guaragna (Harry Warren) with roots from Calabria. The late jazz guitarist Joe Pass was really a Passalacqua. In the world pop, Bon Jovi is really Bongiovanni and Arrowsmith's Tyler is a Talarico of Calabrian descent.

Art

    It is well known that Thomas Jefferson loved Italy and things Italian. In a letter to his friend Mary Cosway, with whom he practiced Italian he called Italy "Elysium" and regretted having spent too little time there. His house Monticello, on a hill outside Charlottsville, Virginia, had a definite Palladian influence.
     Many artists and artisans have shaped and decorated the buildings in this country, particularly Washington D.C. Early work on the capitol were done by two Italians from Carrara, Giovanni Andrei and Giuseppe Franzoni who came through the auspices of Mazzei who was asked to obtain sculptors in Italy. The best work of these two artists was destroyed when the British burned the Capitol in the War of 1812.
     Carlo Franzoni, Giuseppe’s younger brother also came later and he created the Tobacco Column Caps in the small Senate Rotunda. He also carved the Car of History in the old House of representatives Chamber, considered to be the finest work of its kind in the city, and the high relief of Justice in the Supreme Court Chamber. There were many others who helped fill the Capitol with art.
     The most famous to come after them was Costantino Brumidi, a muralist who literally filled the Capitol with his frescoes. The Cornwallis fresco in the House dining room is signed "C. Brumidi, American Citizen." He also did the Apotheosis of Washington in the canopy of the dome. His work fills many other areas, but we must mention the "Brumidi Corridor" on the first floor of the Senate Wing and the President’s Room in the Senate Wing. He completed over half of the fresco in the rotunda before he had a fall which led to his death three months later. For all his great work he has been dubbed the "Michelangelo of the Capitol." His bust is near the Senate Foreign Relations Committee.
     The Lincoln memorial was designed by Chester French, but the actual carving was done by the Piccirilli brothers. You can visit his studio with the original model outside Lenox, Massachusetts. In the museum you will see an invoice for $5,000 to be paid to the Piccirilli.
     From 1907 to the dedication 1990, the Gothic Cathedral in Washington D.C. on Mount Saint Alban off Wisconsin Avenue, was filled with carvings and sculptures executed by Italians. There is even a sculpture, a memorial to one of those Italians, the carver Joseph Ratti who fell to his death while working on April 1, 1955. Of the many known carvers who worked on the cathedral, 19 were Italians. Names like Gino Bresciani, Italo Fanfani, Vincent Palumbo, and Frank Zucchetti. Luca Petrini and Roger Remigi who carved some of the great pieces like the Majestus, a Christ figure above the main altar. There were also several sculptors like Louis Amateis from Turin, Theodore Barbarossa, who had a studio in East Boston, Ettore Cadorin from Venice, Joseph Coletti from San Donato, but lived in Boston, who as a student had been an assistant to John Singer Sargent. Angelo Lualdi, born in Genoa, created in his studio in Florence, all the statues for the high altar. Don Turano, born in New York, created the model of St. Hubert of Belgium for the nave south outer aisle.
    Ralph Fasanella, the worker's painter (d. 1997) is considered the most famous naive painter since Grandma Moses. His paintings of the comkon people are exhibieted in many public places. Most famous is his depiction of the Lawrence strike of 1912.  One of the most famous and influential artists today is Frank Stella from Malden, Massachusetts. He is still very much active and in 1998 he was visiting artist at his alma mater, Phillips Academy in Andover.

Sports

    This is one area that probably does not need reminding of the many Americans with Italian names who have dominated in many sports. We will only name a few, as we have not only famous or well known athletes, but also coaches in Baseball - Russo, La Sorda, Basketball - Carnesecca, Massimino, Carlissimo, and Rick Pitino of Boston Celtics, Football - the great Vince Lombardi, Joe Paterno, Bill Parcells who in an interview extolled the virtues of his Sicilian mother and the values that she imparted to him. And not to leave soccer out, the coach of the New England Revolution is none other then famed Italian goalie Walter Zenga.

Literature

    There have been many Italian American writers and poets whose work has been dubbed Italian American because it dealt with the problems of emigration or simply because it dealt with characters who were of Italian extraction. This did not deny the fact that these novels dealt with human and universal problems. Take for example Pietro Di Donato’s Christ in Concrete. Before him there was Pascal D’Angelo who died too early before his work became well known. One of the aims of this publication is to feature American writers of Italian descent. We have written on the great poet John Ciardi, writers like John Fante. Now the fact that a writer has an Italian last name does not mean that his or her writing is restricted to the immigrant experience. Even the two names just mentioned were part of the mainstream.
     In spite of all these achievements some of the old stereotypes, though abetted by some Italian American film makers or actors themselves, still remain. Some are a little more subtle. If you look upon the landscape of the television programming, you do not find too many characters with Italian names, and those you do find are, for the most part, two dimensional cartoon representation of what we are supposed to think is an Italian American. The NIAF keeps track of these facts and reacts quickly when the outrage is too great to bear.
May be this is the way of the future. As group we will quietly continue to be great Americans of Italian descent.